By John Seabrook
I don´t remember the last time a book had me caught lately. Perhaps it has to do with my natural interest in the music industry. The Song Machine is a journey through the world of pop music, seen throughout the eyes of The New Yorker's journalist John Seabrook. It is certainly the book that I would have liked to read a few years ago, when my interest in the pop music's song-making process was at its peak.
Seabrook recounts the story of those who helped to create the modern global music industry, from producers Max Martin, Dr. Luke, The Matrix and more, artists such as Katy Perry, Britney Spears and Rihanna, to music executives such as Clive Calder, Lou Pearlman and many other institutions that comprise the very esence of what we hear today in commercial radio.
For those involved in music.
My Rating: 10/10
Click Here to Read My Notes
I don´t remember the last time a book had me caught lately. Perhaps it has to do with my natural interest in the music industry. The Song Machine is a journey through the world of pop music, seen throughout the eyes of The New Yorker's journalist John Seabrook. It is certainly the book that I would have liked to read a few years ago, when my interest in the pop music's song-making process was at its peak.
Seabrook recounts the story of those who helped to create the modern global music industry, from producers Max Martin, Dr. Luke, The Matrix and more, artists such as Katy Perry, Britney Spears and Rihanna, to music executives such as Clive Calder, Lou Pearlman and many other institutions that comprise the very esence of what we hear today in commercial radio.
For those involved in music.
My Rating: 10/10
Click Here to Read My Notes